The Legendary
ART LAB

ART LAB is a non-profit developmental art facility founded by Cesare and Jean Marie Syjuco. Its legendary roots date back to 1990, and have since evolved into its current legacy as the Philippines’ premier museum of experimental art.

The name ART LAB is inspired by its core mission: to treat art as an ever-evolving experiment within a dynamic ‘laboratory’ of infinite possibilities.

Driven by a constant pursuit to seek the new, ART LAB blurs traditional artistic boundaries— fusing diverse disciplines and genres to pioneer new mediums, new directions, and new audiences for Philippine art.

Celebrated as the ‘Home of Philippine Avant-Garde Art’, ART LAB is a testament to the undeniable ingenuity of Filipinos to redefine self-expression— showcasing our nation's bold creative history and cultural heritage both locally, as well as on the global stage.


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Founders and Directors:
Cesare A.X. Syjuco and Jean Marie Syjuco

Museum Director and Chief Curator:
Maxine Syjuco

  • Cesare A.X. Syjuco - Founder and Director of Art Lab: The Syjuco Museum

    CESARE A.X. SYJUCO

    Founder and Director

  • Jean Marie Syjuco - Museum Co-founder and Director of Art Lab: The Syjuco Museum

    JEAN MARIE SYJUCO

    Co-founder and Director

  • Maxine Syjuco - Museum Director and Chief Curator of Art Lab: The Syjuco Museum

    MAXINE SYJUCO

    Museum Director and Chief Curator

The Art Lab Story:
A BRIEF HISTORY

[Condensed from ‘Two Minds, Many Madnesses: The Legendary Cesare and Jean Marie Syjuco’ and ‘Masters of Mischief: Cesare A.X. Syjuco and Jean Marie Syjuco - Pioneers of the Avant-Garde’ by Maxine Syjuco]

The Legend of ART LAB: from Rising, to Returning, to Immortalizing

Pioneers of the Avant-Garde: Cesare and Jean Marie Syjuco as the Legends Behind the Legend

Cesare A.X. Syjuco and Jean Marie Syjuco are legendary pioneers of the avant-garde. Throughout their decades-long careers, their names have remained synonymous with breaking boundaries for the advancement of Philippine art.

Working both individually and collectively, their contributions are monumental— from spearheading multi-media, transmedia, and performance art, to creating entirely new mediums of their own.

As leading vanguards of the experimental, their luminary influence leaves an indelible impact on contemporary art and the lens through which it is viewed today.

Radicals of a Brave New Era: Breaking Boundaries and Spearheading New Art Forms (1980s and 1990s)

During the 1980s, public engagement with local art was mediated almost entirely through commercial galleries and institutions. Such rigid environments often prioritized financial viability and marketability over individualism and creative freedom.

Deeply troubled by these limitations, Cesare and Jean Marie sought to challenge the status quo. Impassioned by a mission to push Philippine art to new heights, they remained independent of factions and restrictive schools of thought. On their own terms (and by their own merit), they reached the pinnacle of their fields— captivating the nation with their meteoric rise.

Cesare A.X. Syjuco became widely regarded as “The Golden Boy of Philippine Art” and “the country’s most feared art critic”. As a multi-awarded painter, poet, transmedia artist, and art critic, his remarkably varied distinctions during this period include:

  • TOYM (Ten Outstanding Young Men of the Philippines) Award for Art & Culture Advancement

  • The very first Purita Kalaw-Ledesma Award for Art Criticism

  • AAP Grand Prize and Gold Medal for Painting from the Art Association of the Philippines

  • Gawad CCP Sa Sining Biswal (Thirteen Artists Award) from the Cultural Center of the Philippines

  • Don Carlos Palanca Memorial Award for Literature in English Poetry

  • UNESCO Paris Gold Medals for Photography and Design

  • CMMA Outstanding Filipino Communicator citation from the Catholic Mass Media Awards

  • Gerry Roxas Foundation Presidential Award for Outstanding Achievement in the Arts

Simultaneously, Jean Marie Syjuco became a leading figure in painting, sculpture and installation art, as well as the Philippines' foremost exponent of performance art— bringing unprecedented attention and institutional support to the maverick art form.

Among her awards and distinctions during this period include:

  • Gawad CCP Sa Sining Biswal (Thirteen Artists Award) from the Cultural Center of the Philippines

  • AAP Grand Prize and Gold Medal for Sculpture from the Art Association of the Philippines

  • Grant to Australia (for her performance ‘Por Kilo: Mail Order Bride’, The Performance Space, Australia Cultural Center)

  • Grant to France (for her performance ‘Parangal sa Patalim [Homage to the Blade]’, Alliance Francaise de Manille, Artist in Residence)

  • Grant to Thailand (Philippine Representative, first Asean Artists' Creative Interaction)

  • Grant to Hawaii (Kayumanggi Presence ’93: Honolulu Academy of Art)

  • Cultural Center of the Philippines: Grant to showcase Performance Art on stage for the first time in history (for her performance ‘Puting Uwak [White Crow]’)

A Legend Rises - The Revolutionary ART LAB in Makati (1990)

By 1990, amidst their skyrocketing success as cutting-edge visionaries, Cesare and Jean Marie fulfilled their lifelong dream by opening and developing ART LAB.

Located along EDSA in Makati, their vision was to establish an alternative art space in the heart of the city, offering a sanctuary for artists in search of respite from the humdrum of commercialism.

As a non-profit developmental art facility, ART LAB rapidly garnered a massive following and evolved into a vibrant hub for multi-media and literary workshops, radical collaborations, and international exhibitions that celebrated the avant-garde.

Meteoric Fame and the Heat of the Spotlight (Mid-1990s)

The incredible wave of awards, grants, exhibitions, collaborative events, and extraordinary triumphs continued for Cesare, Jean Marie and ART LAB. Together, their shared vision and tireless dedication transformed a bold artistic ‘laboratory’ into an unstoppable revolution.

As their fame and prominence reached unprecedented heights, however— so, too, did friction with an establishment disgruntled by their influence on breaking away from tradition.

The avant-garde couple's relentless dismantling of artistic norms earned them a reputation as dangerous radicals, and Cesare's cutthroat art criticism drew such virulent opposition that his very life was threatened by anonymous agitators seeking to silence him. It is also rumored that a fire was later ignited in the backroom gallery of ART LAB— resulting in the physical loss of many of Cesare and Jean Marie’s personal artworks, archives, and memorabilia.

Refusing to tolerate an increasingly toxic environment in the spotlight, the dynamic couple made a decisive— albeit mysterious— retreat from the public eye.

Choosing creative sanctuary over celebrity sensationalism, they disengaged from the mainstream and sheltered into a private realm to focus on their art; away from the noise, and amidst safer surroundings within which to raise their five children: Michelline, A.G., Beatrix, Maxine, and Julian.

Triumphant Comeback with ‘Literary Hybrids®’, The Electric Underground Collective, and Transmedia Mastery (2000s)

After a decade of retreat from the spotlight, Cesare and Jean Marie re-emerged into the art world— armed with new mediums, brave new visions, and bold new voices.

  • 2004: Cesare unveiled his major solo exhibition, Flashes of Genius, at the Main Gallery of the Cultural Center of the Philippines. Curated by Jean Marie and long-time collaborator Sid Gomez Hildawa, the exhibit introduced Cesare’s iconic Literary Hybrids®— a fusion of visual art and poetry presented through lightboxes, text-object composites, neon, and site-specific installations. Critics unanimously hailed it as “a stunning comeback” and “a brilliant achievement for Philippine art!”.

  • 2007: Cesare and Jean Marie formed The Electric Underground Collective— a congregation of multidisciplinary artists collaborating to bring experimental art, spoken word poetry, literature, music, and performance art to venues outside conventional constraints. The group toured locally and internationally from 2007 to 2012.

  • 2009: Cesare launched his CD-Album and Book-Set titled “A Sudden Rush of Genius” …

During this period, Cesare was honored with the prestigious Outstanding Manilan Award (also known as the Araw ng Maynila ‘Patnubay ng Sining at Kalinangan’ Award) for Art and Cultural Advancement from the city of Manila, as well as the La Sallian Achievement Award (for Art and Culture Innovation) from his alma mater.

Through their ingenious fusion of literature and text with visual and performative art, Cesare and Jean Marie solidified their legacy as true masters of transmedia, multi-media and experimental art.

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Museum Timeline:
A Brief History



1990
ART LAB: The Workshop / Gallery of Cesare and Jean Marie Syjuco

A Legend Rises

In 1990, at the height of their skyrocketing careers, Cesare and Jean Marie founded ART LAB. Located along Edsa in Makati, their vision was to establish an alternative art space in the heart of the city, offering a sanctuary for artists in search of respite from the humdrum of commercialized institutions. As a non-profit developmental art facility, ART LAB rapidly garnered a massive following and evolved into a vibrant hub for international workshops, radical collaborations, and trailblazing exhibitions that celebrated the avant-garde. Through their visionary leadership, Cesare and Jean Marie boldly forged new paths for artistic experimentation, making a profound impact on the evolution of Philippine art.

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2013
ART LAB: Atelier Cesare and Jean Marie Syjuco

A Legend Returns

After their mysterious disappearance from the art world in the late 1990s, Cesare and Jean Marie re-emerged in the mid-2000s. Devoted to pushing the envelope and continuing their mission for the advancement of Philippine art, they re-opened ART LAB within their family compound in Ayala Alabang Village. Standing on a combined studio and exhibition space eight times the size of its original site on Edsa in the 1990s, ART LAB: Atelier Cesare and Jean Marie Syjuco remained committed to developing new directions, new mediums, and new audiences for Philippine art.